class a dancemusic like always but this release is extraordinary, listen to the single traxx. we dont like boarders musicwise and we dont respect them so you will find some trancy slow jam power house traxx: crossing boarders.
pressing on white vinyl.

the second mörk release finally gets out of the blocks, helmed by italian analogue explorer raw m.t. with some seriously heavy cuts under his belt, we coaxed him out of hiding for a varied 12- of low-slung house, dreamy beachside dreams and hammering arpeggiated techno, cut deep and heavy over two sides of wax. la duna is a deep 4am roller. murky and shrouded in analogue warmth, it steadily aches and strains through passages of pad filled delirium whilst the percussive echoes of lost nights swirl and clatter. untitled is a beachside dreamy acid number. steady slow grooves undulate under tender vocals with slowly yearning pads and deep acid bringing the light out of the darkness. flipping over to the b-side, strike ups the ante with some seriously driving war-game techno, drenching in arpeggiated madness and washed over with frenetic acid lines.

happy skulls first release of 2015 comes from uk based artist creta kano, who first impressed with his 2013 debut on rotterdam’s pinkman records. he showcases his highly melodious and deeply textured sound across three tracks for the bristol imprint. *skyway motel* is an emotive, detroit inspired amalgamation of warm chords and rolling drum machine rhythms. the tracks romantic qualities are emphasised on *skyway 81*, a screwed, pitched-down version that re-casts the original as a serotonin fuelled slow jam. *false water* completes the package. a sprawling trip in to broken techno territory, reminiscent of 90s era rephlex.

label boss dodi palese is back on what ever not with a brand new chemtrails ep of 6 tracks including remixes from d’marc cantu (crème organization, m>o>s) & rising techno italian artist chevel (enklav, non series, stroboscopic artefacts). title track results as a sick combination of well randomized drum patterns, synths and abstract layers turned into a bouncing house interpretation by the mighty d’marc cantu. the electric shocks of dodis machines go all the way through ‘storm’ delivering a monster dub track which got also treatment by the eclectic and talented chevel, check his slow tempo doped beats to see what we are talking about. two additional luscious bonus tracks, barium and aluminum, complete the package. dodi palese brings the chemtrail conspiracy theory to the music dimension!

techno powers from ireland. our favourite pirate john daly shifts up one or two gears into the fifth. tracks and tools of diverse adaptabilities for different dj tastes. if this is too fast, you are too slow.

based in berlin, slow life is a multidisciplinary collective of spanish and italian creatives led by percussionist sergio moreira. his production first caught the ears of phonica via a trilogy of highly impressive 12 inchs on the group’s slow life label, all of which were instant hits and flew out the shop. for this release, moreira teams up with xinner for three of the ep’s four tracks and the results are a spellbinding journey through deep, hypnotic techno, broken beats and submerged ambience. the artwork is once again by acclaimed visual artist jack featherstone, the designer of a number of sleeves for border community, electric minds, warm and of course, phonica.

mysterious >tallberg factory< worker release a debut on seahorse & castle label. dope analog house and on b side weird beat slow techno funk.

common edit is back with the 9th instalment. newcomers to the common edit family this time around with free association and honey discos hristo. no 9 delivers in true common edit style with one for the floor and one for the bedroom. on the a side, free ass serves up free sensation a sumptuous ditty to get the ball rolling. alluring lyrics pull you in to this dubbed out journey of love that keeps you lusting for more. on the flip in true b side fashion, hristo lets loose on the loop with heat market. slow and steady on this gem, with a sleazy clavinet and guitar swooning into a fury of horns - cosmic funk of the highest order! 300 released for distribution and copies given away at the release party in edmonton, canada at the common

on a debut release for bliq, seixlack unleashes his unique fusion of intoxicating gear-crunched cuts. vasumitra is built around static drum-kicks and a pulsating bassline countered by atmospheric and murky synth progressions its repetitive and body-thumping structure rolls deep. nublando o ar rips it from the get-go, with a hyper-funked groove that manages to sustain its rugged pace and entrancing impact all the way. in the title track feitico, seixlack succeeds in artfully juxtaposing banging riddims with jazzed-out, infectious chords leading nicely to the fourth cut, re-crafted by the mighty miltiades, with a deep-rooted and slow-burner of a meditation.

after releasing with chris moss acid on shipwreck in 2014, drvg cvltvre is now back with a full ep of his own on dutch label cos_mos. since 2009, vincent koreman a.k.a. drvg cvltvre has been churning out his own acid, no wave and experimental house on labels like viewlexx and permanent vacation and now kicks off the new year in style with three more inventive offerings. new earth army is a slow, heavyweight and coarse track with rattling chords, angry percussion and elastic drums that manages to be physical and tough yet groovy and playful at the same time. we have become the filth of the universe is a big, fat, heavy wedge of slow motion techno with monstrous drums and wild acid lines all spraying about wildly for the duration. it’s a warehouse sized track that will reduce the ‘floor to a writhing mess and finally possessed is a sci-fi riddled track with lots of spacey synths, filtered analogue lines and paranoid sirens all making for a turbulent brew of dark and otherworldly energy. once again here drvg cvltvre proves he has a raw sound all his own.

nice price deal !!! - dont just think about jellphonic tonight, pick up the phone and call. if youre lonely, confused, or just need a friend. hes been waiting, waiting to hear from you. hot, private and live 24 hours a day for adults only. it seems like 12 years since jellphonic put out a 12, but this release proves that he is still the baddest man in the whole damn town. 5 low brow cuts that celebrate the finer things in life, analog synths, minimal production and mindless funk. all on his own imaginary label too, bon appetit!

san francisco-based dj/producer nick monaco has long been part of the soul clap family, releasing his first 12- on the label back in 2012. mating call, a double 12- set running at album length, is easily his most expansive release yet. it s typically eccentric, delivering a range of songs - featuring his own distinctive vocals - that blend numerous styles whilst retaining a loose, funky and altogether rather kaleidoscopic feel. it s rooted in balearic pop, but also touches on dub, deep house, boogie, dub disco and a strangely deep and contemporary take on the triple-beat rhythms of glam rock. it s hard to accurately describe, but is really rather good, certainly, it s one of soul clap s strongest releases of recent times.

limited copies, analog lovers hinode offer three distinct soundspaces to lose yourself in and never come back. linear equation drifts in the same heady atmosphere as stls lighter flights of fancy, suspended loosely in a pillowy cloud of pads and oscillating bass thats perfect for warming up the senses. the detroit thump of cubic parsec sees that simmering tension break through into outer space, its deadened kicks and rushing snares evoking robert hoods seminal nighttime world vol 1. lastly, hinode slow down and stretch out for the sensational time travel, an ultra-refined and precision-controlled electro killer that will take afterparty dancers on a trip beyond.

ever eclectic electronic outlet hell yeah is back with another carefully curated release this winter, and its a brand new and debut lp by telespazio, a solo project by italian dj and producer fabrizio mammarella of slow motions fame

limited repress 2015 !!
the debut release on office recordings is the first part of a series produced by label founder baaz. in my mind is a subtle, shiny piece of jazzyfied house music with a steady rolling groove and dirty kickdrum. glim bangs the box with deep dubs and a sexy vigorous groove. the flip starts with two mind bending downbeat cuts with a stumbling beat. last but not least a slowburning remix of way out citti by matthias reiling (sessionn victim, giegling recordings) and björn astrup who did a brilliant job twisting the original into a soulful homage to the slow side of house music.

well deserved re-issue of a much sought after atom heart release from 1994.
atom™ (also known as atom heart and often confused with señor coconut, real name uwe schmidt) is a german composer, musician and record producer of electronic music. he is often regarded as the father of electrolatino, electrogospel and aciton (acid-reggaeton) music.

side a contents two masterpieces of nu soul remixes produced by abicah soul project and vocals featured by harold brandon. yotam avni presents the first piece (sign it away) which he is mostly known for his soulful background. side b is represented by the two label fellow of deepartsounds ernie and jenifa mayanja with two magnificent deep house tracks. check!

l3rd chapter, and its a various artists. killing me softly with the neels pearl in a1, emotional slow techno. j.alvarez has touched the stars with a pure diamond of acid, sensational 303 poetry. and you ll find it on the long side. rawmance shooted in face a nasty electro track on a2 for the chatelet-les-halles breakdancers. limited to 250 copies, hand-stamped, vinyl only.

abyssopelagic is the third release on tresor berlin resident marcel heeses label finitude music. this time he teamed up with d_func. aka legendary berlin producer alexander kowalski who has been around for almost 20 years and surely needs no further introduction. the title track is a slow piece of nautical techno aiming at the bigger floors. as the title suggests the b-side includes a stripped-down version of abyssopelagic for the deeper moments on the floor

madrids synth alien returns with a fresh ep out on cyber dance records entitled *stellar walker* that shows off his spaced-out and italofied influences in just the manner we have now come to expect from that label - slow-motion chugging synth workouts that are rich in atmosphere, confident in pace and arrangement and most importantly jam-packed with heavy riffing and piercing melodies from start to finish.

following the debut 12-inch wild rites for details sound imprint, talented artist matteo viani returns under his black seed guise with a condensed noise-filled techno formula, revealing a spectrum of dark energy experiments. unlike his previous ep, which seemed crafted to provoke a natural rhythmic response to its analogue captivating intensity, logical consequence features four cuts of rough, banging slow-techno, spilling all its flammable content in multiple directions. details sound is a berlin/milan based record label run and founded by giuseppe magistro (a hand) and matteo fabbri

the loyal composer of all the original soundtracks for céline sciamma’s movies, jean baptiste de laubier aka para one offers to “bande de filles” 9 instrumental pieces and the track “slow down” featuring frida sundemo.

as we like eclectic sounds from different genres within electronic music, our upcoming release leads us into more deeper and dubbed out grooves. to this occasion we have invited a new project to our roster, novio dub tribe who delivers some slow and warm sounding grooves to us, or as we call it, an >old school dream< the man behind the project is no other than roger gerressen and friends, who has already convinced many listeners with his works in recent years and we are really proud to welcome him to the label family. the track -boundary dub- is coproduced with ivano tetelepta. we continue our journey to deliver quality, timeless music, as always on vinyl!

please find enclosed the latest biomix 06 by dj steef. #06 is about balearic & space disco feels. the very first track (a1) is a cosmic conquest, perfect for those really late night / early mornings picking up the speed to its maximum pontential. a2 is a long balearic ballad, dreamy & chilly vocals rounding up the first side. b1 is a solid cosmic & boogie loaded track, very efficient with an irresistible bassline, a must to set the atmosphere right on. b2 is a classic slow mo adventure, very hypnotic where you recognize dj steef savoir faire to turn any dance floor into a south east asian beach. the whole ep is a stylistic composition showing the cosmic disco influences of djsteef.

spacey slow funk mini-lp by moon b on ppu. tip!!

the act of shimmering is the act of leaving conscious thought behind. it s accepting what lies beyond the corporeal, transcending the physical, the soul is aware and the body, eyes, skin are distant empty casings. a clamorous, chaotic cacophony surrounds a beatific center. an endless assault of guitar, of noise that glistens, a poignant rigor. jannick schou, proprietor of tape loop drone, places himself within the tunnel of din to produce this profound work: an ethereal dream using nightmarish parts and images. black and grays generate vibrant innards. brightness is unearthed within the fetid mass and these six tracks immerse the listener into a raging sea to find a gentle undertow. furious outbursts emerge from simple, slow shivers. tremors of noise gather, reaching an elongated crescendo, becoming transformative, and shattering what form or structure was designed to contain such an outpouring of sound.

franck s wanderlust is a no-nonsense kinetic house cut with an old-school male vox sublimely worked over bubbly bass, weighty percussion, and resonating intonations. up for remix duty is rouge scoiety label head and uk-house stalwart jordan peak who strips things back to deliver a dark and brooding cut, cultivated over pulsating bass, stabbing synths & shifting percussion. on the b-side alex s microsociety bubbles into life over warm bass, soft pads and whirring intonations to deliver a beautifully basic slow-grooving house cut. meanwhile visionquest & cadenza affiliate cesar merveille punches out a robust re-imagining over rolling bass, subtle tones and fluctuating drums to supply a raw and dynamic techno cut. two superb digital bonuses come from danse club records head honchos brodanse and torino native and carnival records boss marcelo tag to round off the fine six-track ep in style.

repress - mannequin records is proud to present a full length by the philly minimal-synth princess void vision. void vision is a philadelphia-based electronic project helmed by shari vari. it began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. in a rare instance, void vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. the songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own

hypnotic, groovin 4 tracker with amazing coverart. chelsea hotel records on the fast lane! be fast to get your hand on it. 180g, vinyl only and fullcover print.

for its third release, sorry for this records welcomes italian innovator roberto clementi to its stables, providing two lush cuts of deep techno and then invites steve o’sullivan to slow things down a little.

the second release of inkblots involves three great artists deeply active into the international techno scene: the japanese go hiyama and the berlin based duo i/y. on side a, go hiyama’s first track ‘recur’ delivers sinister atmospheres matched with a tough kick and industrial bleepy elements. slow and paranoic drones get in and out contributing to enlarge the sound perception. the second track ‘prop’ introduces elegant hi-hats and strident synths. a captivating kick perfectly embraces the shrill synths waving together with the sharp drum, what remains of the first side is just tense ambients, forewarning the journey is not over. side b smells like a dark club firing up, indeed i/y’s aim is not different at all. ’thesys 0000.001’ debuts with a thin bassline and distorted grave surroundings. the track evolves with clean slap hats sound in an empty echo chamber. deep timbres rise and fall, turning the entire route gently aggressive. the second track is an idm experiment which keeps a trippy approach and the clarity of claps and hi-hats. solid as the first one, ‘thesys 0000.003’ sets itself as an hypnotic but pleasant moment where suspicious fragments quickly appear and disappear: a sparkled trip to be enjoyed anytime but not by anyone.

after his highly acclaimed sunset in kreuzberg ep, dib001 shifts gears and goes straight into techno mode: constantine is a steady number, its acid bass line slugging around a dark lfo pulse and punching snares. piano chords slow down the pace here and there, adding a dreamy touch to the mood. on remix duties, idriss drafts in gaetano parisio, the godfather of the italian techno scene: his track has a more percussive feel, with a classy swinging rhythm that takes over the original groove.

born and raised in east london, everything about brett goulds career so far has been about a slow development of his sound. from his debut single premonition on low bit records (who s releases have included tracks from the likes of kassey voorn and guy mantzur)

intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

legendary finnish electro pioneers mr velcro fastener return after a very long absence with this long-awaited and much-anticipated ep on cyber dance records. full of the same funked-out, quirky and fresh futuristic sounds that brought them instant recognition in the 90s electro underground the tku ep sounds like the innovative duo never went away, effortlessly picking up where they left off. brinkkala opens proceedings with their classic signature brand of detroit-meets-finland robotic funk jamming, while the next track bridge over nothing delivers harder and punchier rhythms deftly topped with layers of spaced-out chords and shimmering noises - and a relentless bassline that builds and progresses the grooves to alien dimensions of sheer electro brilliance. the sonic assault continues on side b with ologrammed , a pulsating monster of a track that pushes the velcro fastener sound into ethereal realms that evoke the likes of technasia or the hacker in their mid-90s heyday. the ep closes with johnny s wood , a funked-up, jazzed-out and upbeat adventure over-brimming with robotic positivity and electronic optimism. copies are limited of this essential purchase for die-hard electro connoisseurs everywhere, so don t be slow as they re sure to go!

rick wade from detroit drops a new ep on modelhart. featuring 2 tracks with deep house. taboo is a uptempo deep jam and kordeography is a slow track with a deep detroit beatdown vibe.

limited edition (500 copies ww) 6xlp box set with remastered versions of deadbeats early lps.

jel ford kicks off his return ep with two tracks of clean big room techno. the title track backyard is a moody affair with a low drone throughout that is complimented with layered synth stabs. using reverb to create atmosphere within the track it subtly breaks down before a vocal hook transcends the track to deliver a killer blow. meeting of minds is dubbier and uses a tripped out synth to add rhythm whilst working alongside a synth pattern to keep the track chugging along. the slow evolving pads add texture and keep the track nicely filled out whilst this timeless classic keeps on giving.

2014 has been a slow year for sequencias in terms of releases. most of our energy has been spent towards the development of different projects, like our new webstore, that has become an outlet for us to share some of the records that influence the way we do things. so, with the wax offering slowing to a mere trickle, who better to entrust with our sole release for the rest of the calendar year? dcantu, of course. cantus electro-heavy sound is fleshed out here and while still lean enough for dance floors, it makes bolder moves into atmospheric and melodic territory.

two of the uks finest underground labels join forces and share their talent on this killer 12inch. from iib we have coyote s sin distracciounes, an upbeat sunkissed dancefloor meditation featuring the blissed out flamenco guitar of long time collaborator saro tribastone. futurboogies christophe remixes and chops up the guitar and adds some gypsymenesque organ stabs and layers of keys. futureboogies felix dickinson and jamie read drop the funky guitar heavy restless people. sublime chugging beats and a beautiful vocal refrain imploring slow it down creating a laidback house monster. iibs max essa puts his remix right in the middle of the dancefloor with straight up house vibes and extra percussion.

craig clouse - aka shit and shine - follows up his stunning powder horn release on diagonal with this brand new set of pure heat for gangsigns. clocking in at just over 31 minutes, this brand new lp pushes on from the last just that little bit further, chopping and screwing its way from the dancefloor to the slow jam in six easy steps

known for his past releases on nation, l.i.e.s, and cititrax, chicagos beau wanzer delivers a 12 track lp of archival material culled from tapes stored away from years past, the tracks in question being plucked between 2002-2008. wanzer has stuck to his grotesque guns over the years, keeping his music personal, grating, and down right bizarre. each track takes a narrative of its own, from the languidly vocaled, yet uncannily catchy *mob boss* to the possessed murmurs of *love tone*, wanzer has created a completely unique collection of music which engages the listener all the way through.

as festival season goes on forever, so can the models four tracks. these heavy hitting floor stompers are pretty much the differece between slow-burners and longplay tracks.

with his new album >whats fruit<, schlammpeitziger touches the dancefloor more than ever before in his 22-year long career. yet his dancefloor is a playful one. the cologne based composers sounds electrify with their multi-layered melodic structures. he weaves countless details in perfection, to a high density of musical activity, always focusing on the slow, driving beats which hold everything together.

limited to 300 copies only - triple vinyl plus cd!
*treat me right*, the third album from trus me, featured plenty of modern club anthems and was lauded by a gamut of the most respected djs around, including ben klock, guy gerber, tini and maya jane coles. reflecting the trus me musical palette and chosen by him for this very reason, prime numbers has now put together an undoubtedly excellent collection of seven remixes by a stellar cast of friends and collaborators. this limited triple vinyl release comes in a bespoke wide spine sleeve and includes a bonus cd featuring a selection of the remixes plus a few handpicked tracks from recent prime numbers vinyl releases including fred p, mosca, xdb & adesse.

it is done. k.o. the stickiness kreeps out of the studio window. all inspiration is bundled. what stays is the trash on the carpet, the coffee cups and a last sunbeam, which is entering the scene on that late summer day. two guys knocking with theirs feet on the floor. you see them smile. the first album of kollektiv ost is ready to enter the club.

one more time the toy tonics crew comes up with a vinyl only release of secret dancefloor weapons by the toy tonics djs. edits, remakes, remixes of tracks that you might know, but we wont tell here, for obvious reasons. but check them out: french slow house maestro dj steef reworking munks classic italohouse track la musica.

alison marks returns fresh from her recent collaborative releases as wallflower with leah floyeurs and lumina, her more machine based project, with helen copnall. here she delivers a subtle yet enlivening piece in the form of mama,a slow, enchanting groove which works surprisingly well pitched up utilising piano, strings and a vocal motif reminding us why it is that we spend so many hours on the dance floor/behind the mixing desk/in the record shop.

a collapse of any truth, absence of light, and spectroscopic industrial manoeuvres in the dark: this is isolated process ep realized by kwartz. isolated process is a robotic monotonic thought deep down the furthest abyss. belling drums alongside drones and solid grey basslines appears on first function and second function: two different points of view, two moments about the same hypnotic march. milton bradleys remix is a slower exploration of what remains alive underneath the space. slow and cyclical beats hits back the mind once lost in the ocean. pure machine darkness.